English Theses | Arts and Sciences Theses | Roger Williams University
 

Access to the collection of English theses from 2023 and earlier is restricted to RWU English faculty members for curriculum-related purposes and is not available to the public. To view or download a thesis, please contact the English Department to obtain a password.

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Submissions from 2011

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Confucian Relationships in the Twentieth Century: Revolutionary Road and the Five Basic Human Relationships, Dominic Lombardi

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Living in a Petrified Forest: Exploring the World of Wheelers through an Ecocritical-Thoreauvian Lens“, Marie Palma

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Reinforcing Indoctrinability: The Rejection of the Fortuitous Feminist Mutation, Lisa Pellacchia

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Just a Girl, Tying to Find Her Place in a Patriarchal World: Esther Greenwood’s Journey Through a Male Dominated 1950’s Gender Landscape, Mary Randazzo

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Nightmare in Suburbia: Frank Wheeler in Revolutionary Road, Omar Reyes

Submissions from 2010

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Spontaneous Me" to "Trickle Drops": The Progressive Change of Sex and Nature in Whitman's Leaves of Grass, Kacie Danielsen

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“The Severance of a Powerful Bond: The Mother and Child Relationships in Stowe’s Uncle Tom’s Cabin", Samantha Davidson

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Tragedy on the Wine-dark Sea: Ahab as Tragic Captain, Christopher James O’Brien

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Harriet Beecher Stowe’s Religious Crisis in Uncle Tom ’s Cabin, Emily Pratt

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From the Mundane to the Spiritual : Connection and Camaraderie in Walt Whitman’s leaves of Grass, Elise Squillante

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The Symbolism of Plants and Nature: A Transcendental Critique of Puritan Values in Nathaniel Hawthorne’s The Scarlet Letter, Danielle Zoller

Submissions from 2009

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Colonized: The Everlasting Effects of White Colonialism on Indigenous People, Meaghan Attella

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A Place Without Children Loses Its Meaning: Death’s Power over Humans Beings in Russell Banks’ The Sweet Hereafter and Cormac McCarthy’s The Road, Colleen Bergin

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Good Books: The Search for a Moral Center in John Steinbeck's Fiction, Kathleen Coleman

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“From 'an inborn suffer’ to 'star crossed lovers’: William Shakespeare’s take on the Medieval French Courtly Love Tradtion”, Heather Dowds

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Paving the Road to Identity: Landscape’s Impact on Character Disposition in Cormac McCarthy’s The Road, Amanda Haskins

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“'For stony limits cannot hold love out’: Examining Adult-Child Relationships in William Shakespeare’s Romeo and Juliet and Charles Dickens’s Great Expectations, Criste Linkletter

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“'Then I defy you, stars’: The Loci of Free Will in William Shakespeare’s Romeo and Juliet, Macbeth, and Othello“, Kelli Mecartney

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“'The ends justify the means’: Erasmian- Machiavellian Synergy in William Shakespeare's Ideal Leader”, Amanda Musto

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Disruption of Conventional Gender Polarities: Motherless Women in William Shakespeare’s The Merchant of Venice, Much Ado About Nothing and The Winter ’s Tale, Courtney Nugent

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“An Intertexual Tale of Two Mercutios: Baz Luhrmann Meets William Shakespeare’s Romeo and Juliet, Sara Panaccio

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Home Grown: The Nurturing Landscapes of St. Cloud’s Orphanage and Worthington’s Apple Orchard in John Irving’s The Cider House Rules, Jaclyn Roche

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Scalpers, Cannibals, and Babies Hung from Bushes: Justifying Violence in Cormac McCarthy’s Landscapes, Alyssa Schankman

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Romanticizing Flawed Morality in Harper Lee’s To Kill a Mockingbird, Kurt Schlangenhauf

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Tracing Footsteps: Landscape’s Construction of Character in John Irving’s The Cider House Rules, Jamie Silva

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“When I Love Thee Not, / Chaos is Come Again”: “Order,” the “Norm” and the “Other” in Shakespeare's Venetian Plays., Gregory Souza

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Carrying the Fire: The Rebuilding of Morality and Identity in Cormac McCarthy’s The Road, Sarah Stewart

Submissions from 2008

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“Writing Oneself Free: ” Rewriting African American Feminine Identity in Toni Morrison’s Beloved, Ventura Adrien

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"Ethereal Awakenings in Sir Orfeo: A Pagan Pilgrimage to Christian Enlightenment“, Danielle BaldassinI

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“'Inside’/ 'Outside’ Courts: Ironic Inversions in Gottfried’s Tristan”, Danika Bishop

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“American-Born Confused Deshi“: Marital and Farnilial Compromise in the Indian American Family, Jayda Laurel Blinn

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“'Oh, it’s terrible being a woman’”: A Mexican Woman’s Struggle Against Invisibility in Sandra Cisneros’s Caramelo, Lindsay Marie Bourgeois

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Weltanschauung!: Richard Wagner’s Variations on Gottfried Von Strassburg’sTristan in the Historicists’ mode, Jeff P. Brennan

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“Caught between Here and There” : The Creation of the Transnational Bildungsroman in Sandra Cisneros’s Caramelo, Tavares Brian

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“King Arthur and the 'Historical Imagination’: A De-Evolutionary Study”, Haleigh Bronson

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“A Rose by Any Other Name”: A Cultural and Personal Perspective of Identity in Jhumpa Lahiri’s The Namesake, Meghan Kathleen Burt

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Confronting a Dark Past: Overcoming Abuse and Securing a Bright Future in Annie Proulx’s The Shipping News, Rachel Chasse

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“From Greek Epic to Medieval Romance: Heroic Journeys across Genre,Time, and Culture”, Sarah K. Chrapek

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“A dissolving and a becoming all at once:” The Progression of the Female Bildungsroman from Sandra Cisneros’s Life and The House on Mango Street to Caramelo, Jana Heath Clark

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“Pagan? Christian? Both of the Above? : Narrative, Arts, Architecture, and Religious Schizophrenia in the Middle Ages", Caroline Corr

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Broken Bonds: The Ties between Love and Healing In Louise Erdrich’s Love Medicine, Sarah Cournoyer

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Countering Christian Cosmology: Louise Erdrich’s Animation of “The Great Earth Mother” through Rushes Bear and Marie, Smith Courtney

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Motherhood: Marie Kashpaw’s Love Medicine, Kathleen Elizabeth Day

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Chaucer’s Wife of Bath: The Birth of Superwoman, Amy Dornfried

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When the Hyphen Clashes: Contexts of Literature and Identity in Lahiri’s The Namesake, Jessica Leigh Finocchiaro

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“'Too wise to woo peaceably’ : Rebellious Women in Medieval Romance and Shakespearean Comedy", Nicole Greenspun

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Don’t Stand Still, Wittman: Confronting Collective Cataloging, Michelle Grimaldi

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The Stranger Within: The Close Connection between Pregnancy and Foreignness in Jhumpa Lahiri’s The Namesake, Mallory E. Haddon

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“Am I My Brother's Keeper?: Ancient Iconographic Pairings in the Arthurian Cycle”, Amanda Harkness

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Composing American Identity: The Interwoven Melodies of Maxine Hong Kingston’s Tripmaster Monkey : His Fake Book and 1960’s Jazz with the Accompanying Harmony of Chinese Music, Wehner Hilary